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Plus appréciés Attractions à Reste D'italie

Chercher Sur Un Rayon (miles)
Basilique Saint-Clément-du-Latran

Une visite de la basilique Saint-Clément-du-Latran offre un fascinant voyage dans le temps. De la basilique supérieure, qui remonte au milieu du XIIe siècle et dont l’abside abrite la mosaïque du Triomphe de la Croix, on passe à la basilique inférieure du IVe siècle et, via des escaliers, à des constructions romaines et au mitre, un temple du IIIe siècle dédié au dieu Mithra. Ne manquez pas d’admirer les fresques dans la chapelle Sainte-Catherine, peintes entre 1428 et 1431 par Masolino da Panicale, probablement avec la collaboration de Masaccio.

National Museum of Castel Sant'Angelo

The splendid fortress of Castel Sant'Angelo was originally built as a mausoleum for Emperor Hadrian in 139 AD. In the 10th Century, it was transformed into a castle, then, 500 years later, into the elegant residence of Pope Alexander VI Borgia. Michelangelo designed the marvelous main court for Pope Leo X and many of the rooms inside are decorated with frescoes of great beauty. It is also been used to house prisoners, including the sculptor Benvenuto Cellini. The terrace offers a fine view of the River Tiber and opera lovers will know that this was where the final act of Giacomo Puccini's opera Tosca took place. The building is now a museum with a fine collection of suits of armor.

National Museum of Rome - Baths of Diocletian

Built at the behest of Emperor Diocletian between 298 CE and 306 CE, the Baths of Diocletian formed the largest public bath complex of the Roman Empire, with a capacity of 3000. The sprawling complex encompassed a gymnasium, library and public baths, with tepid, hot and cold water options. Decorated with sculptures and elaborate stucco work, the baths were once an awe-inspiring sight in both scale and grandeur. The siege of Rome in 537 CE brought with it the end of the Baths of Diocletian when the aqueducts were cut off by King Vitiges. In 1561, much of the now ruinous bath complex was lost when Pope Pius IV commissioned Michelangelo to construct the Basilica of Santa Maria degli Angeli at the site. Today, the National Museum of Rome, displaying a once-treasured piece of the ancient city of Rome, has revived the ruins of Hall 10 of the Baths of Diocletian. Tombs, sarcophagi, mosaics and other relics from the baths have been preserved alongside a reconstitution of the hall and its ruins. The site is surrounded by a 16th-century garden lavishly embellished with historic artwork adding to the allure of this historic site.

National Museum of the XXI Century Arts (MAXXI)

The National Museum of the XXI Century Arts (MAXXI) stands with an aim to promote all forms of contemporary art. This magnificent structure takes pride in housing the first national museum in architecture and all the products and documents involved in architecture as an entity. The MAXXI exhibits artistic productions through conferences, documentaries, presentations of cinema and video series, concerts and dance performances. All in all, it’s a great place that educates and enlightens every visitor, from an art connoisseur to a layman.

National Etruscan Museum

Housing an important collection of Etruscan treasures found mainly in graves and tombs, the National Etruscan Museum was once a splendid Renaissance villa, built for Pope Julius III. The Tomb of the Newlyweds is one of the most famous pieces here and was probably designed to contain the remains of a couple. There is a reconstruction of a temple in the garden, illustrating the Etruscans' love of detail. The water garden in front of the museum, decorated with mosaics, fountains, and statues, and the frescoes inside the colonnaded loggia, are worth noting. A recent piece is a 5th-century terracotta relief, which shows the Grecian influence on Etruscan art.

Campo de' Fiori

La tradition dit que Campo de Fiori reçut son nom de la femme aimée de Pompée, Flora, mais il est plus probable que cela vienne de quelque chose de moins romantique. Au 14ème siècle, le Campo de Fiori était un champ abandonné plein de fleurs. A la seconde moitié du 19ème siècle la place devint une place de marché quotidien. C'était aussi la scène de beaucoup d'exécutions, dont la plus fameuse fut celle de Giordano Bruno, le philosophe qui fut brûlé ici en 1600. La statue que lui est dédiée remplaça une fontaine, elle-même déplacée sur la proche place Chiesa Nuova, et une reproduction fut placé au bord du Campo de' Fiori.

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