Designed by some of Italy's most infamous master artists, St. Peter's Basilica is not only the world's largest church but is also one of its most spectacular. Originally built at the site of St. Peter's grave around 349 CE by Emperor Constantine, the basilica, as it stands today, was consecrated in 1626 at the culmination of over 120 years of construction. The original designs were laid out by Bramante in 1506, however, over the following years, the ambitious designs were altered by several renown architects including Michelangelo, Giacomo Della Porta and Carlo Maderno, each adding their own personal touch to the magnanimous design. St. Peter's Basilica now enshrines some of the world's most famed artworks including Michelangelo's Pieta and Bernini's Baldachin. The splendid facade and riches that lie within are crowned by an intricately adorned dome that is revered as Michelangelo's most grand architectural legacy. The Pope delivers the Urbi et Orbi blessing each year on the occasion of Christmas and Easter from the basilica's central balcony, attracting millions of devout pilgrims to the threshold of St. Peter's each year. He remains the only one who can serve at the high altar of St. Peter's Basilica.
Santa Maria in Trastevere is the first Roman church to be consecrated to the Madonna. Its foundations were laid in approximately AD 400, when Christianity was only just beginning to take root in Europe. The present edifice is dated 1300 and contains beautiful mosaics by Pietro Cavallini, especially those dedicated to the life of the Virgin Mary. There is a magnificent life-size icon, La Madonna della Clemenza, from as early as the 7th Century. The nave is formed from granite columns taken from ancient Roman edifices. The 12th-century mosaics of the façade, depicting the Madonna and child and ten women holding lamps, are not to be missed. The portico was renovated in the 18th Century by Carlo Fontana and the balustrade is decorated with statues of Popes, baroque additions which do not detract from the church's original medieval aspect.
The magnanimous proportions of the Colosseum have long been a source of wonder. Originally envisioned in 70 CE, the construction of this grand structure was completed in 80 CE. At that time, it is believed that this vast amphitheater could seat upwards of 50,000 spectators at once. The Colosseum also features on the Italian version of the five-cent Euro. Deemed as one of the Seven Wonders of the World, the Colosseum was designed to be a horse racing circuit and arena for animal fighting and gladiatorial battles, although it has also hosted significant religious ceremonies in its early days. It is a symmetrical wonder set in the historic landscape of Rome's heart. The enormous ruin is a UNESCO World Heritage Site and is considered by many to be an iconic symbol of Italy.
Enclosed by Bernini's magnificent colonnade, this square has the largest number of visitors in the world. Millions of tourists wait here either for the Pope's Sunday blessing or to enter the Basilica. More than a square, the colonnade gives it the atmosphere of a courtyard, inviting people to enter the church. The obelisk in the heart of the square has been standing there since 1586. When a new pope is being chosen, it is at St. Peter's Square that thousands gather keenly to see the black smoke turn white and find out who the next pope is going to be. During Christmas, a nativity scene and a Christmas tree are installed, and there is a remarkable atmosphere of celebration, with the majestic dome dominating the scene behind.
Designed by Nicola Salvi for Pope Clemente XII, the Trevi Fountain was completed in the second half of the 18th Century. A towering likeness of Oceanus forms the centerpiece of the Baroque fountain, with Abundance and Salubrity on either side, while the rococo-style Poli Palace provides the perfect backdrop. Tritons guide the chariot of Oceanus, and all around the water flows, its gushing sound rising to a crescendo befitting the all-consuming power it represents. Tradition has it that throwing a coin over your left shoulder into the fountain guarantees a swift return to Rome. Anita Ekberg's dip in the Trevi Fountain was immortalized in Federico Fellini's La Dolce Vita, and Italian actor Toto even sold it to an American, passing himself off as its owner. Featured in numerous movies since Trevi Fountain has long inspired the passions of the human race and continues to be revered the world over as one of Italy's most triumphant sculptural works.
Originally commissioned by Marcus Agrippa, and subsequently rebuilt by Hadrian, the Pantheon is a monumental homage to the architectural finesse and ingenuity of the Romans. Massive bronze doors guard the entrance to the central space, sheltered by the graceful arch of the Pantheon's dome. The temple was transformed into a church in the early 7th Century by Pope Boniface IV and has remained well-preserved as a result. The building's primary source of light is the oculus, a circular opening at the dome's apex, rimmed with the original Roman bronze used at the time of its construction. Many famous Italians are buried in the Pantheon, including the Renaissance painter, Raphael, and King Vittorio Emanuele I.
Beset on all sides by roads, the square is heavily congested with traffic. In the background, the Altare della Patria is dedicated to King Vittorio Emanuele. Romans refer to it as the "wedding cake" or the "typewriter" because of its shape and color. Shortly after World War I, the body of the Unknown Soldier was brought here and placed in the center of the steps of the Vittoriano. It has a permanent armed guard. Palazzo Venezia was built during the second half of the 15th Century and was where the Venetian ambassadors to Rome stayed. Later it became the residence of the Cardinal of the Basilica of St Mark.
The Fontana della Pigna stands in the Piazza San Marco near Piazza Venezia. It represents the large ancient pinecone (now held in the Vatican) after which the district was named. The fountain was designed by Pietro Lombardi who was commissioned to create ten small fountains in 1927 with the aim of beautifying the city. The fountain is made entirely from travertine stone and is formed by a small basin from which two corollas of tulips stretch as they support the pine cone. The water spurts from side jets, falling primarily into the basin and then into a larger tank at ground level.
Il Vittoriano a fine white marble structure built under the auspices of newly installed King Victor Emmanuel and was inaugurated in 1911, a symbol of Italian unity. It has been the centerpiece for many important processions and moments of glory since Italy's reunification, including the parades of Mussolini that took place outside it. The statue of Emmanuel stands tall in front of this magnificent building along with the tomb of the unknown soldier nearby. The whole edifice has a massive and grandiose appearance covered in marble and atop sit two quadrigae of the goddess Victoria. Today, it houses an interesting museum which details the international and domestic intrigue which resulted in the Risorgimento, or the Reunification of the Country. Open hours vary by season. Call before visiting.
The Church of San Marco, together with the Palazzo Venezia with which it is joined, is one of the most interesting early Renaissance buildings in Rome. It dates back to 1336 and was built by Pope Mark in honor of St. Mark the Evangelist, who is celebrated on April 25. The church has a 15th-century portico attributed to Leon Battisti Albert. The upper open gallery is designed by Giuliano da Maiano, while the beautiful 16th-century portal is credited to Isaia da Pisa. The church contains numerous medieval remains including an ancient well, and the bell tower. This church belongs to the Venetian community in Rome.
Construction of this palace begun in 1455 for the Venetian cardinal, Pietro Barbi, who made it his residence. Construction of the first palace was completed shortly before his election to the Papacy in 1464 when he adopted the name Paul II. He then decided to amplify the palace and make it a dwelling worthy of a pope. The work continued until 20 years after the Pope's death and it underwent architectural transformations on several occasions over the centuries. In 1916 it was confiscated by the state of Italy which decided to make it the Palazzo Venezia museum, a role it still plays, as well as being the library of the National Institute of Archaeology and History of Art. During the Fascist regime, the palace was made famous by newsreels of the time, showing Mussolini speaking to the crowds below from a window in the palace.
One of the most important collections of medieval and Renaissance art is housed at Museo di Palazzo Venezia. There are Renaissance paintings, painted wooden sculptures and chests from all over Italy, tapestries from elsewhere in Europe, Neapolitan ceramics, silverware, suits of armor, and 17th and 18t Century paintings. One of the most dramatic pieces is a 13th Century enameled Byzantine Christ. There are also terracotta studies by Bernini for construction of the Triton fountain and the decoration of Castel Sant'Angelo.